Hiatus

Digital compilation of the 20 December 2010 lunar eclipse. Canon 7D, tripod, 70-200 f2.8L IS (IS turned off), 1.4tc, varying shutter speeds, ISO, and f-stop.

Yes, yes, I know, its been months and months since I posted. For some mix of reasons I've been lacking in photographic inspiration. I think I made fewer images over the course of this summer and fall than I have in many years. Not all the reasons are clear, but one in particular is crystalline. Since my return from Antarctica and the Southern Ocean last February, I have been training for an Ironman Triathlon (2.4 mile swim, 112 mile bike, and a full 26.2 mile marathon). I completed that Ironman in Cozumel, Mexico on 28 November. While the experience has nothing to do with photography (aside from the fact that I recorded video during parts of the race which I am currently editing), it was by far one of the most rewarding experiences of my life. Since it's off the subject, I won't go into the details here, though I may post a link at some point to the race report and video. 

Now that I've put that behind me, at least for the time being, my cameras have started to whisper to me again. My computer keyboard is more enticing and sparks of creativity (not yet a fire) are starting to flicker around in my head.

Which leads me to this entry. I'm hoping to start posting here again with greater regularity, show off not just my new work but some older images that I'm rediscovering. All of this, to come in the not too distant future. Keep your eye's open.

The image here was made during last week's lunar eclipse. I was fairly unprepared that night, as I'd failed to remember that I no longer possessed a tripod foot for my 500mm. Thus I couldn't use my big glass for the shots. I'm still kicking myself over this, as I'd envisioned crisp, frame-filling shots. Instead I did the best I could with my 70-200 and 1.4TC. It works in the smaller sizes but isn't crisp enough for publication. Lesson learned, and I'm ordering a new tripod foot today.

5 Tips for Better Aurora and Night Photography

My recent posts of aurora images have drawn a record number of visits to this blog, and several people have queried me with questions in the comments, emails, facebook, or twitter. So I thought I would pass on a few tips to make your own efforts with night photography a bit easier. 

1. Get a Tripod. I know this sounds self explanatory, but I'm constantly amazed at how many photographers don't own one, or if they do, don't use it. Tripods are, in my opinion, the one tool in a photographers kit that will greatly improve his or her images. Using a tripod forces you to slow down, think, compose carefully. You can't just point and shoot when using a tripod, you have to move slowly because everything simply takes more time. Of course, you also get sharper images. But I digress- You NEED a tripod for night work because the exposures are so long that it is absolutely impossible to do handheld work. So if you don't have one, get one. A cheapie from your local disount store will work, but I suggest you invest some money in a good set of legs and a good head, it will save you hours of frustration and buyer's remorse.

2. Determining Exposure. It is likely in night work that your camera will get very confused and unable to choose the appropriate f-stop or shutter speed. So you'll need to use the camera's manual setting. (For those who use auto-everything this is a good opportunity to throw away the crutches and learn something about exposure.) Next select an ISO that is appropriate to your camera. If you have a top of the line camera in Nikon or Canon's line with very low noise you'll be able to use a fairly high ISO setting, like 800 or even higher. If however, you shoot with a lower grade DSLR, you'll need to start lower. Try 200 or 400. Next, select a shutter speed. This will depend on your ISO and how fast your lens is. I suggest starting off around 15 seconds, then review your image on the LCD and adjust up or down as necessary. (A word of warning: on a dark night when the only light is your camera LCD your image will appear brighter than it will on your computer, so be careful.)

3. Sharpness. When I first began making images at night, this was my Achilles heel, as I think it is for most people starting out in this genre of photography. Focusing at night is tricky. Even the best cameras won't be able to focus in the dark so set your lens on manual focus and set it like this:

The left edge of the infinity line is the best place to start, small adjustments can then be made by reviewing the LCD after the first few images. You'll likely find if your foreground elements are placed sufficiently back in the frame that everything will be sharp, from the trees and hills to the stars and aurora.

4. Lens Choice. Go wide. Go fast. A good, wide-angle zoom allows you to show as much of the sky and foreground as you wish. The zoom will allow some latitude in your composition. A fast lens like an f2.8 or better will permit shorter shutter speeds which means less trailing in the stars, less wind-motion in the trees and better definition of the curves and pillars of the aurora. Slower lenses will work but higher ISOs (and thus more noise) might be necessary or longer exposures (leading to unwanted trailing in the stars or blurring of the aurora). 

5. Composition. Compose as though you were composing a landscape image. Your subject is the sky, but the other elements in the frame are just as important as they would be in daylight. An image of just the aurora and a few stars might have some interesting color but lacks of sense of place or depth. A poorly composed foreground will be a distraction. Select a tree, mountain, person, tent, or whatever and compose carefully. Don't get caught up with just the sky, in the end the other elements of the image are just as important.

Anyone else have thoughts, tips or additional questions on night photography? If so, leave them in the comments.

Spring...kinda

(Disclaimer: This image has nothing whatsoever to do with the following post)

April in Fairbanks is a tease. We have sparkling blue skies for what seems likes weeks on end. The snows turn to water and slide into the creeks which flow over and through the winter's ice, eating it away. People walk around in shorts and shirt sleeves, willing summer to come, despite the 38 degree temperatures. Road bikes and motorcycles appear on the streets that are now clear of snow and ice. And then...then it snows. 

It happens every year. And its happening today. Outside my window as I write this there are scattered flakes falling. Blowing actually, shoved along by an atypical cold wind. It is a sad landscape of gray and brown.

I know it won't last. Geese are arriving at Creamer's Field. I trust that they know better than I that spring is indeed here. Their lives depend on it, I'm just looking forward to summer.

Aurora Borealis

It's been a lousy season for the aurora, but a recent solar storm set the sky alight last night in one of the best displays I've seen in years. Even before the sky was fully dark, there were curtains of green sweeping across the dusky blue. By 11 when I made it down onto the ice of the creek below my cabin there were bright curtains of aurora overhead.

Some displays are almost static with little motion. Others, like last night were constantly shifting, moving fast. That made it basically impossible to capture the shape of the aurora, but the colors were vivid. Green with highlights of red and purple and bright stars in the background.

Nights like that make me very happy I live in Fairbanks.

Antarctica in Motion

During the Southern Ocean voyage I spent a fair amount of time recording video on my Canon 7D. The image quality of the stills in this camera may be only so-so, but the video capability is absolutely outstanding. For a recent talk on seabird ecology in particular and the trip in general I finally got around to piecing together some video. I've edited down the Antarctica portion of the trip into this short video. Let me know what you think.

Incidentally spring is arriving in force here in Fairbanks. The snow is melting off, sending streams of water across the ice of the creek below my cabin. Winter sports are almost at an end and my shutter finger is getting fired up for the return of the birds.

Antarctica from David Shaw on Vimeo.

Antarctica and the Southern Ocean Presentation

 My friends and colleagues Hugh Rose and Patrick Endres and I will be giving a presentation for the Arctic Audubon Society on our recent Antarctica trip. Each of us will be sharing a selection of images and sharing photo tips and anecdotes from our adventures. If you'll be in Fairbanks on Monday night at 7pm, join us at the Noel Wien Library for an hour of photography and natural history.

Adelies in the fog

Canon 7D, 17-40f4L @ 40mm, 1/640th @ f4.0, ISO 200

After our sunny morning exploring the peaks, and crags of Devil Island we motored off in the Polar Star to our first landing on Antarctica proper at the far northern tip of the peninsula, Brown Bluff.

The name Brown Bluff doesn't really do the place justice. The "bluff" is actually a 1000 foot cliff that shoots up a short distance from the beach. Snow and Pintado Petrels nest in the rock crevices and are constantly coming and going. Several thousand pairs of Adelie Penguins nest in a colony that reaches up the talus slope below the cliffs. Gentoo Penguins and Kelp Gulls occupy the boulders that are scattered up and down the gravel beach.

Since my first visit to the place in 2003, Brown Bluff has been among my favorites. Perhaps because it was the first place I encountered Adelies, or maybe because it was the first time I set foot on the great southern continent. Or maybe its just a remarkable place.

We arrived in cloudy, windless conditions, but as the afternoon went on, a fog bank rolled in from the north. First, as I zodiac cruised with a group of clients around the icebergs it began swallowing up the distant bergs, then the closer ones.

Back on shore, a short time later, I was photographing the penguins coming and going from the colony. They were splashing in and out of the water. The cold, foggy light made for challenging, but interesting, photography. It was a perfect chance for wide-angle work as the penguins popped from the water just feet away. The image above I snapped from a prone position on the beach. It's dark, but so was the day. This image reminds me of what the day felt like. The cold rock under me, the fog bank rolling in, graying the skies in the background, the icebergs floating like ghosts in water as gray as the sky.

Canon 7D, 17-40 f4L @40mm, 1/250th, f8.0, ISO 200, handheld from Zodiac

This second image was made during the short zodiac cruise around the bergs. The fog bank in the background made the blues in this berg pop like fireworks.

This is why I love the Antarctic. Every time the weather changes (which it does, almost constantly), the colors change, they brighten and soften, landscape elements appear and disappear. Even the wildlife seems to change. Penguins go from cute and clutzy birds to emblems of survival at the edge of what's possible.

Atop the Devil

Canon 7D, 17-40f4L @ 17mm, 1/3200th, @f9.0, ISO 200, handheld

Finally, we found the sun. It took two days of bashing through broken sea ice and trying to make up time in areas of open water, but we finally made it to the Antarctic Peninsula. Our first landing was on Paulet Island, a speck of rock north and east of the mainland and tucked up against the glaciated dome of Dundee Island. Paulet is a remarkable place where 100,000 or so Adelie Penguin pairs make their nests. There are penguins atop the icebergs that surround the island, they climb up and down the snowy slopes like ants, and fill the edges of the sea ice. It was sunny, warm, and a near-perfect day. And I got just about nothin' photographically.

Well that isn't entirely true, there are a few keepers in there, but nothing that really excited me. But I was in Antarctica and that alone made up for the fruitless hours with my camera.

That's why, for the time being at least, I'm skipping over Paulet Island and moving straight on to day 2 on the Antarctic Peninsula where we first visited Devil Island. This little visited island in the Weddell Sea is home to a few thousand Adelies, Skuas, Sheathbills and the other mishmash of Antarctic wildlife, but it is the scenery that makes the place.

Devil Island is tucked into a steep-sided cove of the heavily glaciated Vega Island and its summit rises some 1000 feet above the surrounding water. It is a remarkable place that made me wish for a sea kayak to explore the glassy waters. Instead I climbed.

With a handful of others I scrambled up the scree slopes to the taller of the island's two summits. From the summit ridge sprouts the pinnacle of the rotten stone in the picture above. Ted Cheeseman, the expedition leader and Ross Hofmeyr the ship's doctor went for a scramble to the top and I snapped a few images as they stood atop it.

Had I known that that glaring sun would be almost the last we'd see during our time on the continent, I'd have spent more time appreciating it.

Ice Becomes Us

Canon 7D, 70-200f2.8L IS @200mm, 1/800th sec @ f8.0, handheld from ship's deck

Now we bid a fond farewell to South Georgia and head south into the colder and icier waters surrounding Antarctica.

Before we arrived at the great southern continent we first made a short detour into the very isolated South Orkney Islands. The Orkneys are a small, mountainous and heavy glaciated archipeligo that pop out of the southern ocean about halfway between South Georgia and Antarctica proper.

The weather absolutely sucked.

Though there was some dramatic light when we first arrived at the islands early in the morning, I was fast asleep and missed it. Patrick Endres, of course, didn't miss it and got a couple of incredible images. (Click HERE to check them out). By the time we pulled into Coronation Island's Shingle Cove the wind was howling.

And it just got worse.

Cheesemans' Safaris makes more effort to get people on shore, than any company I've ever encountered. And despite heavily gusting winds, we went to shore. It was cold and rainy and windy and nasty.

Oh, and there were penguins too. Our first Adelies of the trip.

Canon 7D, 70-200f2.8L IS w/ 1.4TC, 1/500th, f4, ISO 200

I hardly made any photos while on shore that morning, I was much too distracted by the weather, riding ballast in otherwise empty zodiacs (to keep them from flipping in the 70mph gusts), and tending to very cold clients. Some people however were clicking away happily, I just wasn't one of them.

When we finally all made it back to the ship, safe and sound. We headed away from the island running with the wind into newly sunny skies. And there we encountered icebergs, lots of them. That day I made some of my favorite images of icebergs. The gray storm skies in the background and sunlit bergs made for incredible light.

The ice just made everything feel like...well it just felt like Antarctica.

Probably because that is where we were headed.

Photography advice from National Public Radio

Ira Glass from "This American Life" fame has this to say about story-telling. If you apply it to photography it is just as true. Enjoy.

Fur Seals: Striking Fear in the Hearts of Men

Canon 7D, 500mmf4L IS, 1/200th @f4.5, ISO 200

Look on ye short of bravery! Look deep into those dark, fierce eyes! Do they not strike fear into your heart? Do they not fill you with terror?

No?

Well they should. Because this little guy, cute as he may be, a few years from now will be leaping out of the tussocks, snarling like a pit-bull as you pass. This is one of the drawbacks of visiting South Georgia Island. Fur Seals are absolutely everywhere. They cover the beaches and fill the tussock slopes until the alpine zone 400 feet above the beach.

And they don't like you. Not one little bit.

Fur Seals, particularly the females can be very aggressive, very aggressive. My description of them leaping out of the tussocks is not at all an exaggeration. It is not uncommon for tourists to be bitten. One guide on our trip, Jim Danzenbaker had the knee of his waders patched up from a previous run-in with a grumpy seal. Luckily this year there were no contacts, aside from one saucy juvenile like the one above who decided to take a nip at the toe of my boot (only my pride was damaged).

There are a few techniques for dealing with these monsters. The most effective is to always carry a walking stick or tripod which can be used to fend off the charging seals. It isn't used as a club, more of a pointer. Point your tripod at the nose of the seal and it will, 99.9% of the time, stop in its tracks. Most charges are bluff, but in the event that it isn't, it's a good idea to have something between you and the seal.

From a photographic perspective, it isn't hard to get close. Too close is usually much more of a problem. The pups will come right up when they aren't napping. Their curiosity is endearing, as are their grayish, alien eyes. The adults will come right up too, but their teeth are usually bared and your tripod is too occupied shooing them away to hold a camera. But getting portraits from a few yards back is simple.

Canon 7D, 70-200 f2.8L, 1/160th @ f2.8, ISO 200

This one is an adult male. Not one of the really big ones, but a sizable fellow nonetheless. The males, gratefully, are usually confident in their status and don't feel the need to attack every human that walks by. I'm grateful for this because the few big ones I've been charged by have been much harder to dissuade with a pointy stick.

I like the big guys though. They look so arrogant with their noses in the air, eyes half-closed in disdain at the rest of the world.

Though I do think they'd look much better with a big red circus ball balanced on their nose. Maybe I'll bring one on my next trip.

South Georgia Predators: Giant Petrels

Canon 7D, 500mm f4L IS, 1/250th @f5.6, ISO 100

There are two species of Giant Petrels patrolling the Southern Ocean, known simply as Northern and Southern Giant Petrels. It would be great of course if their names actually meant there was some delineating line between the two, unfortunately, there isn't. They are of the same size and general shape, and their plumages are similar and they are often found in the same places. Separating the two, particularly at sea, is not always an easy task. Northerns have an orange tip to the bill and the eye is usually pale. While the Southern has a greenish tip to the bill and a generally dark eye.

So there you go, got that?

So what's the bird in the image? The bill is out of sight, tucked into the back feathers of the bird. But the eye, conveniently is open. The color? Gray. Thus, Northern Giant Petrel.

There is your birding tip of the day. Enjoy.

Now these things are the size of albatross. 6 feet from wing tip to wing tip and can be absolutely wicked predators. Primarily the Giant Petrels are scavengers, feasting on whatever nature provides, but occasionally they will cooperatively gang up on and kill things as large as elephant seal pups. It is unpleasant at best to watch 15 of these hulking birds reaching into the guts of a dead seal, blood smattered across their pale feathers and gore dripping from their beaks. In action, it is hard to believe that these birds are the same ones that nap so contentedly on the beach. Their long sharp bills tucked daintily into the soft feathers of their back.

If however, you are an injured or dying seal, many pairs of those lovely gray eyes will be the last thing you ever see.

Predators of South Georgia

Canon 7d, 17-40 f4L @17mm, f4, 1/2500th, ISO 200

It's a remote and isolated oceanic island, far, far from the mainland of South America and even farther from Africa. South Georgia Island has no native land mammals (though rats, mice, and reindeer have been introduced). No foxes, no wolves, no badgers, coyotes, squirrels, or weasels. It would seem that the local nesting birds, the penguins and petrels, would have it easy.

They don't.

While at sea, where the birds of South Georgia spend the majority of their time, they are hunted mercilessly by Leopard Seals and Orcas. On shore, they escape the threat of their aquatic predators, but not threat of the Skuas, Gulls, and Giant Petrels that are constantly looking for an opportunity to steal an unguarded egg or small chick.

The Skuas in particular are almost universally despised by visitors to the Southern Ocean. I say almost universally, because I happen to quite like them. Like any predator, they can brutal. On the South Orkneys we watched for several minutes as a pair of Skuas pulled an Adelie Penguin Chick away from its parents and off a short cliff. The downy chick tumbled down the rocks to land at the bottom where it was set upon by the Skuas. Over the course of a few minutes, as the chick tried to escape, struggle and fight back, the Skuas killed and began to eat it. It was, in no uncertain terms, brutal.

Yet the Skuas have chicks to feed as well. They are doing what is necessary to survive, however unpleasant that may be to our eyes.

It is not their brutality that I like, but their fearlessness. Skuas have no predators on land and no reason to fear people. Like the Caracaras of the Falklands they are more than willing to approach a person. Particularly if they have reason to suspect a meal might be in the making. This Skua came up to me as I lay prone on the grass shooting the wide-angle Gentoo image from the previous post. My low angle allowed me to get this rather distinctive and humorous portrait of the bird. From a standing position the shot would not have been so compelling.

Here is a photo tip for the Southern Ocean: get low, lay still, and wait for curious predators (they are sure to arrive).

Gentoos Above Fortuna Bay

Canon 7d, 17-40 f4L @17mm, 1/3200th sec, f4, ISO 200, handheld while lying down

South Georgia Island is a fjordland. All around the island are deep bays that reach into the mountainous interior of the island. Tidewater glaciers spill down to the sea from above turning the water a rich turquoise with the silt. The island is surprisingly green, particularly when compared to the shades of gray landscape of the Antarctic continent. The steep shores of the bays are covered in grass and tussocks. On a cloudy day when the glaciers and huge mountains are obscured you could almost imagine you were in Scotland or maybe the Aleutians.

Fortuna Bay lies on the north side of the island and holds the distinction of being the place where Ernest Shackleton reached the north side of South Georgia after crossing from King Haakon Bay on the south. He knew he was saved when he reached the top of the Fortuna Glacier and heard the sound of the horn from the whaling station at Stromness Bay a few miles to the east.

Fortuna carries that history, but unlike Stromness, Grytviken and other places in South Georgia, no rotting whaling station lies in Fortuna and the hand of man feels a bit more removed here than elsewhere on the island.

This was another early morning landing and I was on shore before 6am. It started off cloudy with wet snow falling intermittently. The ever-present fur seals cried from the beaches and hordes of King Penguins came and went along the shore. I climbed up the grassy slope to photograph a nesting Light-mantled Albatross. Then as tiny patches of sun came and went across the bay, I walked down to photograph a small colony of Gentoo Penguins high above the water, where I made this image.

It was quite a morning.

The Kings of South Georgia- Part III

Canon 7D, 70-200f2.8 @200mm, 1/640th, f2.8, ISO 100, -1/3EV, tripod mounted

I think this will be the last of my posts featuring King Penguins. I'm ready to move on with my life.

I mentioned in yesterday's post that there was a wall of birds and seals up the beach from where I was standing. I really wasn't joking. Granted the wall was no higher than three feet, but so dense and wide it seemed insurmountable. Instead we cut inland, around the wall and walked toward the colony from that direction. From the landing site, a mile distant, the colony looks like a gray patch of ground that extends from the flats near the beach up a hill to the south. As I hiked closer, some definition arose, and the gray mass began to separate into patches of gray and brown, then, before long into the dense mass of birds themselves.

The brown birds are juveniles, called "Oaken Boys". Kings have an odd breeding schedule, that I won't take the time to describe. But what it amounts to is during the summer the colony consists of adult birds sitting on eggs and older chicks whose parents are foraging out at sea. The Oaken Boys form groups called creches that mingle about throughout the colony.

Once at the colony, there was so much noise, so many trumpets from the adults and whistles from the juveniles it was difficult to speak. There steady movement of birds coming and going, shifting, and turning made the colors feel kaleidoscopic. Photographically, I wanted to portray the density of the place and my images of the birds close to my viewing location just weren't working out. So I turned my attention to where the colony extends up the hillside. There, due to the rise of the hill, I was able to get a perspective that worked for me. I shot a few with the long lens, but I didn't feel I was telling enough of the story so I switched to the 70-200 and made the top image here.

Canon 7D, 500mm f4L, 1/250th, f5.6, ISO 100, -1/3EV

This second image is a portrait of Oaken Boy. They are about the texture and shape of an over-sized Kiwi Fruit. They are also fearless and twice during that morning at Salisbury Plain I felt tugging on my backpack straps and turned to find an Oaken Boy fiddling with my gear. They are about three feet tall, and for all the world look like kids in Halloween costumes. It is nearly impossible not to be smiling when you are surrounded by all of this.

Canon 7D, 17-40 f4L, 1/1000th @f5.0, ISO 100, handheld

With this last image I leave the King Penguins of South Georgia Island and move on to other things. They may reappear again somewhere, but for now, I'm ready to start writing about some other aspect of the Southern Ocean.

Onward!

The Kings of South Georgia- continued

Canon 7D, 17-40f4L @17mm, 1/200th, f5.6, ISO 100, handheld

So before the rotten weather from the last post hit we had a few wonderful hours at the Salisbury Plain King Penguin colony. Honestly, I didn't spend a heck of a lot of time at the colony itself. The birds coming and going from the beach were so interesting and photogenic that I hardly got myself more than a few hundred meters from the landing location for most of the morning.

Cheesemans' Safaris works hard to get people on shore for as long as possible. And this morning, like several during the trip, there was the option for an early landing. Clients could skip breakfast in exchange for more time on shore. As staff, we weren't really given that choice, which was fine since I would have been there anyway. The early risers on this particular morning were well rewarded. Some of the best light we had on the island, we found during those early hours. After breakfast, when the lie-a-beds were making it to shore, the clouds rolled in, it started to snow, the wind picked up and within a couple of hours it looked like that video in the last post. Things change fast in the southern ocean and you can never assume you'll have a second chance.

The top image is one of several favorites from the trip. I was walking my way slowly up the beach, making photos as they presented themselves when this group of Kings erupted from the water and waddled up the beach toward me. It was almost a grab-shot, but it worked.

Canon 7d, 17-40 f4L @17mm, 1/250th, f5.6, ISO 100, handheld

This next image was made around the same time as the first. So many Kings were moving up and down the beach that I just parked myself on the sand and waited for groups to walk by. I never waited long, there was a steady stream of birds coming and going, coming and going. When I looked down the beach toward the colony it was just a wall of birds and seals.

Eventually I'll get around to posting some video clips, or if I'm really ambitious an edited compilation of the trip. Better than a photo, video shows the density and constant motion of the wildlife. But you'll just have to wait for that.

Bad Weather on South Georgia

Mark Rentz, one of the clients on the Antarctica trip took a video of some bad conditions on South Georgia Island, posted on YouTube by my friend Patrick Endres. This was made later the same morning as the images from the last post. Pretty crazy. Oh, that's me, by the way, in the red handling the zodiac on the right side of the boat.

The Kings of South Georgia

Canon 7D, 70-200f2.8L, @70mm, 1/800th, f5.0, ISO 100

South Georgia is just one of those places. It is special in the way the coastal plain of the Arctic National Wildlife Refuge is special. The way the Serengeti, Okavango Delta, Amazon, and Yellowstone National Park are special. It is a true wildlife spectacle, set upon a remote, mountainous, and glaciated island. To quote Shakespeare:

This royal throne of kings, this sceptred isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,—
This blessed plot, this earth, this realm, this South Georgia Island.

Granted my change there at the end does mess up the iambic pentameter but the quote is, I think, more accurate for South Georgia than it is for Jolly Old England. Plus, South Georgia is home to a few million King Penguins and that makes the place just about perfect.

Except for the weather. The weather can really, really suck. Which it did for most of our time on the island.

We were graced with a few nice hours at Salisbury Plain, the only large King Penguin Colony we were able to visit due to the rotten weather. There I managed several decent images of the kings. The one above is a bit out of my usual style, but I like this environmental portrait. The fur seals, Giant Petrels and mountains in the background provide a sense of place.

Canon 7D, 500mm f4L, Tripod, 1/800th, f4.0, ISO 400

This second is not unique, but I like it. The patterns in the neck of a napping King are exquisite, and worth capturing, even if I wasn't the first to do it.

I'll be posting a few more over the next couple of days so keep your eyes open.

The Quest Begins

Saturday was the start of the Yukon Quest dogsled race in downtown Fairbanks. For those of us who care about such things it is kind of like the superbowl of the local mushing scene. The Quest is a much more difficult race than more famous Iditarod. The lengths are about the same but the Quest has less support, less checkpoints, less of about everything except wilderness.

The start (and thus finish) alternate each year between Fairbanks and Whitehorse Canada. This year the start was in Fairbanks and the mushers will cross the finish line in Whitehorse after crossing 1000 miles of snowy and cold wilderness.

The start is also great fun to photograph. Some years I get a press pass for the backstage view, which is usually a much better option, but this year, I forgot about it until it was too late so was relegated to watching from the crowd side of thing. This allowed me to get a few different perspectives on the race. I got a few, like the one above, that is typical of mushing races. Though a fine shot it doesn't really tell much about the scene.

This second image was taken from the pedestrian bridge over the frozen Chena River. This perspective allows a different angle on the scene. It shows some of the crowd and, importantly, the sign indicating the start line. This one makes for an acceptable stock image, but again, isn't terribly unique.

This last image is my favorite from the morning and was completely serendipitous. I was trying to inch in and get some shots similar to the first one, when this woman in a bright red parka stepped right in front of me and raised her point and shoot to snap an image. I made lemonade from the situation, turned my focus on her camera and snapped this image.

Any thoughts?

Striated Caracara: Steeple Jason Island, Falklands

Canon 7D, 17-40f4L @ 40mm, 1/400th sec/ f10, ISO 200, handheld while laying on the ground

Steeple Jason Island, as well as being home to the largest colony of seabirds in the western hemisphere, is also home to numerous pairs of Striated Caracaras. These birds are exceedingly bold. Living on islands as they do, without any predators, they are accustomed to being the top of the food chain. They are quite unwilling to allow something as inconsequential as humans to change that. Striated Caracaras are scavengers for the most part, but also prey upon penguin and other seabird chicks when the opportunity arises. It is their scavenger nature that makes them most interesting from a photographic perspective. Let me tell you the story:

This bird, and two others, were scratching around in the dirt and heather, taking occasional dust-baths when I and a group of clients walked up. Now tourism etiquette in the southern ocean requires that we don't approach an animal closer than 15 feet. Of course the animals themselves are under no such restrictions and are perfectly allowed to approach you. When I saw these birds, I laid down on the ground to snap a few low-angle portraits with my 500mm. I didn't get to snap a shot, because as soon as I laid down this bird looked at me and bounded straight over. There I was, on my stomach, with a large, endangered, and highly photogenic raptor about a foot away, with a 500mm lens on my camera. It couldn't have been more worthless for the situation. So I decided to just enjoy the moment and watch. The Caracara hopped about, I slowly sat up, it came over and eyed my foot, wondering surely if I was yet dead enough to eat. Eventually, I could take it no longer and slowly removed my camera backpack, unzipped it and pulled out the 17-40. Every movement I made the bird became less sure I was about to die. I was certain that before I managed to get the lens on the camera that the caracara would decide I was too alive to consume and fly off, it's head down in disappointment.

Gratefully, my slow and occasionally jerky movements perhaps resembled death throes and I was able to get the lens on while not losing the bird's interest. I snapped a few from a sitting position before lowering myself again to the ground for this low angle, wide perspective of the Caracara on the rock with the mountains of Steeple Jason in the background.

I managed to snap off a few shots before the poor bird realized that this clicking, breathing, and occasionally brightly-flashing human was not, in fact, food. Finally it did arrive at the truth and flew off to look for something a bit closer to death.

Sorry to disappoint.

Shameless Self Promotion

I'm a bit behind schedule on this one, but my recent article in Birder's World is on newsstands now. It is entitled "Birding Alaska's Arctic" and is illustrated about 1/2 and 1/2 with my images and those from Sharon Cummings. Essentially it relates the story of a photography and birding trip I led through Arctic Wild to the coastal plain of the Arctic National Wildlife Refuge. I think it is one of my better pieces and, even better, the opening double page spread is my image, always nice to see. Check it out.

The Southern Ocean: Steeple Jason Island, Falklands

Canon 7D, 500mm f4L, handheld from the deck of the ship, 1/1250 sec, f8, ISO 200

OK, Alright, I know, I know. It's been awhile since I posted. But I've got an excuse that pardons me at least for most of January. I've been away from the computer for a bit, on a ship, cruising around the Southern Ocean. But, now that I'm back, my hiatus ends here, with this image of Steeple Jason Island, in the Falklands.

(Quick background for new readers or those who don't remember back a few posts when I alluded to this trip: For about month from late Dec to late Jan, I was working as a naturalist/photo guide on a Cheesemans' Ecology Safaris trip to the Southern Ocean. I was one of 14 expedition staff.)

I think I've been putting off posting, despite being back for a week, because I hardly know where to begin. My head is still spinning from the trip, though now more like a wobbling top, than the centrifuge it was a few day ago. My thoughts, and my images from the trip are starting to come together, and I'm ready to start posting...I think.

I wanted to present a written narrative to the trip, but really there was just too much. Images, for the most part, will have to play that roll. (Eventually, the log I wrote for Cheesemans' will be posted on their website and I'll link to it in a future post.)

For the next few entries I'll be featuring shots from the Falkland Islands. We spent three remarkable days exploring the archipelago. It is a wonderful place, full of rugged islands, remote beaches, and seabird colonies. Steeple Jason Island, where this image was made is by far my favorite of our stops, and perhaps one of my favorite places of the trip. 115,000 pairs of Black-browed Albatross nest on the island making it the largest seabird colony in the western hemisphere. It is a landscape of birds.

The image here was made from the deck of the Polar Star, our ship. The sun was just up, the sea haze was defining the ribs of rock on the shoreline, and Black-browed Albatross by the hundreds or thousands were patrolling the sky and water surrounding the island. For a few minutes it was magical. Then the sun rose a bit more, burnt off the sea haze, and the moment was over.

Luckily, the day was just beginning. More on that in the next post.